The second in a series of summer Classical music interviews,
today, the spotlight is turned on Lincoln native, Matthew Boring. A
graduate of Lincoln High School and of the
UNL School of Music,
Boring is used to being in the spotlight since being awarded the Truman
Scholarship while a junior in college. A trumpet player, Boring majored
in music with a minor in business while at UNL and was an important
member of the Cornhusker Marching Band, University of Nebraska Wind
Ensemble, UN Jazz Ensemble I, Red Express Pep Band, and Scarlet Brass
Quintet.
He has agreed to share a little of his experiences in college and offers an update on his career since graduation.
How did you first get interested in music and trumpet?I
don’t know if I have ever admitted this one before, but I actually
wanted to play tenor saxophone when I was going into 5th grade. At the
time, they needed trumpet players, so I agreed to switch over. I had a
fantastic director my first year at Holmes Elementary, Nate Auman, and
was also supported by my family to pursue music.
Can you tell us a little about how you came to play at the Kennedy Center in 2006?The
Kennedy Center and National Symphony Orchestra have an annual Summer
Music Institute that brings young musicians from around the world to the
Kennedy Center for a four-week orchestral training institute. One of my
theatre directors at Lincoln High School, John Heineman, heard about
the program and forwarded a recorded audition on to the state selection
committee. Playing at the Kennedy Center is an almost indescribable
feeling when you consider the musicians who have performed on that stage
and the Presidents that have watched performances there since 1971.
What was your favorite experience from UNL?Running
out of the northwest tunnel in Memorial Stadium with the Cornhusker
Marching Band for the first game my freshman year is something I don’t
think I’ll ever forget, and definitely my favorite experience. Just the
experience of having 90,000 of the best fans cheering for you and going
crazy on game day is about as good as it gets in my book. A lot of
veterans at the time told me that it wasn’t as big of a deal to them as
they played more games, but I never lost the energy it gave me in my
four years at UNL.
What kind of process and persistence did it take from you to apply for and be awarded a Truman Scholarship?Applying
for a nationally competitive scholarship is definitely a process that
involves a lot of people. From the start, I think you need to develop a
clear purpose for your application and frame out the story you want to
illustrate to the review boards.
After a long month of waiting, I received notice to come to Denver
for an in person interview with other finalists from the Midwest. The
Truman Foundation has panels of past, distinguished Truman Scholars
conduct the interviews, which lasted a full day at the District Court of
Appeals in Denver. A few more weeks passed, and then in the middle of a
wind ensemble rehearsal, a procession of Deans, Directors,
Vice-Chancellors, and other staff came in to announce I had been
selected as a Truman Scholar.
How important was UNL in helping you achieve and win this award?
Institutional support is critical in completing an application
process like this, and Nebraska really dedicates a lot of resources to
help their students compete nationally. Dr. Laura Damuth, UNL’s
Fellowships Advisor, helped me to continually revise and improve my
application before I submitted it to the Truman Foundation.
You had an illustrious undergraduate career, what have you been doing since to pursue your goals?Following
graduation, I accepted an internship at the John F. Kennedy Center for
the Performing Arts in their Office of Development. I work closely with
the development staff to identify, solicit, and steward our major
corporate and foundation donors. It’s very fulfilling work to do when
you see how the financial gifts to the institution lead to many programs
and performances.
What is your dream job? And how will music be apart of it?I
definitely want to pursue a career in Arts Administration at a major
non-profit Performing Arts Center. I was asked the same question in my
Truman interview and I responded by saying I’d like to someday be the
President of the Kennedy Center. Music and the performing arts as a
whole have made a very significant impact on my life and my way of
thinking, so I can’t really imagine a career where they’re not involved
in someway.
What advice would you give someone interested in studying music at the college level?Find a practice room you like and visit it often.
In all seriousness though, the time that you put in equals the
benefits you receive, and there is no substitute for quality time “on
the horn.” Looking at different schools and finding the right fit is
also extremely important. I considered many institutions for my
undergraduate degree and ultimately settled on Nebraska due to their
quality of ensemble directors, academic commitment to students, and the
community atmosphere I felt on campus and at the School of Music.
What advice would you give someone who is new to Classical music?Listen
without preconceived ideas to the music. Symphonies by Tchaikovsky can
transport a listener through stories of struggle, fate, deception, and
love. Chamber pieces by Ewald and Stravinsky can demonstrate soloists’
virtuosity in the context of a unified ensemble. Modern compositions can
reflect current issues in society and create a place for discussion.
While keeping an open mind is important, I think it’s good to know what
it is that you like. I try to branch out musically, but always keep a
few playlists of my favorite composers and orchestras on my iPod. It’s
always amazing to me the differences you hear in a piece depending on
who is playing it. Two world-class orchestras like the Chicago Symphony
and Vienna Philharmonic could make recordings of the same piece, but
provide the listener with two very different aural experiences.